On and off over the years, I’ve made occasional attempts to get into a variety of gacha games, but nothing’s really stuck. Typically, I get easily frustrated with these types of games, as their difficulty plateaus and meta-imbalances, designed to leech money out of players, tends to be inscrutable for me. I also follow a lot of the criticisms marked at these games, of the smarmy “who would pay hundreds of dollars for a JPEG image of a waifu that can be taken away from you if the game shuts down?” variety. Around mid-2020, I decided to make another attempt at gacha games, starting with Tales of Crestoria and Sinoalice. I was remarkably disappointed by Sinoalice, after being personally excited for the game’s release for over a year as a massive Yoko Taro fan. The game has a great soundtrack and art direction but it’s also an absolute snooze fest to play. I’ve still been following Tales of Crestoria since launch and will openly admit I dislike playing the game. I never got the chance to play Tales of the Rays before Bamco shuttered the English release, so I’m stuck with a super boring turn-based Tales of title. I dislike the gameplay to the point of always letting the game’s barely optimal auto-battle work for me. I mostly stick with the game because of the surprisingly good story and game-original cast, particularly the murderous love interest Misella and self-aware edgelord hedonist Vicious. I also started playing Princess Connect Re: Dive (which I…like? I don’t have a strong opinion on it), and I’m eagerly awaiting the English release for Touken Ranbu.
Amidst this mess of gacha game attempts and questionable usage of free time, I also got into Arknights around the end of 2020. I didn’t really start “seriously” playing the game until January of this year, but the game managed to subsume the better part of my free time, for good reason.Continue reading