What Comes After Review: Get On The Train

What Comes After is a collaboration between Indonesian Coffee Talk creator Mohammad Fahmi (editor’s note, who has sadly passed away) and studio Rolling Glory Jam about Vivi, a young women who falls asleep on the late night train while returning from work. When Vivi wakes up, she awakens onto a subway car filled with ghosts. Informed by the conductor that this situation was a mistake and she can leave when the train goes back in the morning, Vivi must pass the time by talking to other passengers until dawn.

The first thing to notice about What Comes After is that it’s a game set during Covid. All the living characters wear uniform cloth masks (looked up photos of Indonesia during covid and it would have been nice if at least a few people were wearing disposable medical mask to add to the realistic similitude) and stylistically, all the passing ghosts don’t have mouths. It’s the first time I’ve played something that’s even mentioned Covid, but thankfully it’s referenced in a way that’s respectful and is never mentioned in the narrative.

103 Review: Never Leaving The House

103 is a Kickstarted walking simulator and puzzle game developed by Australian group Dystopia Interactive. First person seems to be Dystopia Interactive’s marmite and toast (hacky Australian joke is hacky), as both 103 and their only other game, Make A Killing, share this predilection for protagonists without faces. Mystery should be 103’s real title, because solving said mystery is half of playing 103. Lily is an overly imaginative individual whose night out with friends ends abruptly and the player must piece together what went on, and potentially what went wrong (I went into 103 narratively blind of this premise and now you know more than I).

Playing 103 involves walking through a cozy house, filled with stylish 1910’s Alphonse Mucha posters and adverts with drinking skeletons, in order to find…something? From the beginning, after quickly turning down the camera’s sensitivity because it was giving me motion sickness, 103 does not inform the player of anything. A blonde mannequin is present, often found finding value in staring at mirrors or enjoying the rain visible through the house’s sole window (which is honestly rather calming), and only she and the game’s patchwork bear mascot are the navigational devices. Those arrows drawn on the carpet? Totally worthless.

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Have they been here long?

Full Review