When I first became acquainted with Francisco Garcia, he suggested that I play a certain visual novel/boys’ love dating simulator known as DRAMAtical Murder. At the time, I was more preoccupied with pestering Francisco for advice on how to set up a good team to fight the final boss in Persona 3 Portable, so I put his recommendation on the backburner. Now, after nearly two years and a rather tedious period of downloading and extracting various files to get the game to run, I can finally talk about this game in detail.
DRAMAtical Murder was developed and published in 2012 by Nitro+Chiral, the boy’s love- branch of visual novel production company Nitroplus. Nitro+Chiral was also responsible for such games as Togainu no Chi and Lamento -BEYOND THE VOID-. DRAMAtical Murder proved popular enough to warrant a sequel, re:connect, that follows up the individual character routes, anime and manga adaptations, and will get a future PS Vita port that removes the game’s sexual content.
Let’s play a game called “find the women in the CG backgrounds”.
Let’s say you like an anime, and feel like looking it up. What’s this? It was originally a visual novel? Whatever could that be? And what are these “eroge”? Forgive me if I am insulting anyone’s intelligence; rather, I am trying to empathize with the lowest common denominator, which is a tall order for me. I shall try my best to explain what visual novels are and what is their relationship to eroge and dating sims.
Whether Visual Novels are real video games or not is a debate I am not going to get into here. But for the most part, Visual Novels are text scrolling games that tell a narrative while paper cutouts of characters talk and interact with the main character or other characters, usually with accompanying voice acting. A common approach is to have you, the player, look at things from the eyes of the protagonist in an attempt to have you become the protagonist. This sometimes extends to leaving the protagonist’s face blank on images they show up in. The faceless protagonist is so pervasive in visual novels that it often becomes a good thing to check whether the protagonist even has a face or voice acting. It shows the protagonist is important enough to the narrative to warrant the efforts of fleshing them out as actual characters. Outside of the faceless protagonist constancy, visual novels are too busy trying different character archetypes, plot twists, art styles, etc. so the only constant in visual novels is that you will be doing a lot of clicking and reading.
Maybe Japanese women like their men faceless…?