Building a Stairway…Off This Island

Coming up with things to discuss on this site, without dusting off the old chestnuts of RPGs, point-and-clicks, and late 90’s and early 2000’s FPS, is not easy. You write what you know. But as of last year, I have been really getting into resource management games (the internet seems to call these open world survival action-adventures, but that is too long), including Astroneer, Subnautica, and The Survivalists. Granted, calling them resource management games make them sound like factory simulators like Satisfactory, and the perfectly named Factorio. Whatever they are called, these games do provide distinct single and multiplayer experiences.

These types of resource management games, while similar on paper to farming sims, such as  Harvest Moons, Stardew  Valley, or Gleaner Heights, tend to share a different thematic start. Instead of inheriting a farm from a dead or dying relative, the player crash lands on a planet, a deserted island, or a deserted island planet. The Lost in Blue series (or Survival Kids for the five people on this planet who somehow own and played possibly the rarest GBC game) feel like the progenitor of this type of game. Lost In Blue follows different teenagers who find themselves trying to survive on a desolate tropical island. Food and water need to be consumed to keep the player alive, usually in the form of fresh coconuts and river water. Good news was that as  early DS games, Lost in Blue were not as long as the RPG-length sagas the average resource management game requires. Bad news was that as early DS games, Lost in Blue was controlled mostly through the stylus (a pain for those who wanted to do extra combat damage in Magical Starsign). Gameplay focused on constantly tracking vitals and building up a home base that lessens the strain of said vitals start here. But these teens cannot stay on the island forever, they will need to step out of their comfy cave and somehow leave the island. Finally leaving the base continues in later resource management games as a common end goal.

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Wouldn’t it be wild if punching alligators was just incorrectly calculated as being the most effective way to hurt them in Lost In Blue? Like how the butterfly net in some Zelda games works on bosses.

Interior Decorating In Videogames Never Looked So Compulsive

I want to start this article by doing something out of the ordinary for me, which is discussing current video game news. When news of the 3DS remake of the 3rd Generation Pokemon games Ruby and Sapphire dropped, the first thing my friends and I got excited about was what the secret bases would look like running off  Pokemon X and Y’s visuals. A refresher for those of you reading who skipped those Hoenn adventures of which I feel are the second weakest of the Pokemon Gens (after Gen Four if we are only counting non-remakes, because Heart Gold and Soul Silver were fantastic). Hoenn’s secret bases were located in trees, bushes, and sides of mountains where a player with a Pokémon who knew the move Secret Power could access large hidden rooms.

The only real draw the secret bases had were that they could be decorated with various furnishing like cushions and desks made of leaves to trinkets like Pokémon plush and ornaments like breakable doors, tents, and slides. This has me thinking about how, in general, getting a house or base to interior decorate is one of my favorite added parts in video games (up there with character customization like outfits and hair styles).

You can tell that this is a fan mod image because it was impossible to walk across those ditches. Let alone transport all that plush.

Some games make the player’s base or house an integral part of game progression and the Lost In Blue games on the DS are the first to come to mind.

The Lost In Blue games were spiritual successors to the Game Boy Color series Survival Kids, where the player controls a young kid who ends up as a castaway on a deserted tropical island. The first Lost In Blue was an early DS game for me back around 2006, a bygone time where you could actually find a reasonable copy of Trace Memory. While the original first Survival Kids fostered you with late 90’s card-battle anime protagonists Ken and Mery and their mascot ready pet monkey, the first Lost In Blue assigns you the serious young man Keith and the near-sighted quiet young woman Skye. The goal, learn to live off the land and build a way off the island. Every day has you controlling Keith in finding food and water for the pair, as Skye stays in the cave and preps food.

The cave base as a core concept is great, as building new beds and better fireplaces not only spiffs up the joint, but also either makes the daily progress easier or helps restore Keith and Skye’s stamina and overall well-being. You even get to decorate the place with a nifty barrel so that you can keep water inside so these two young youth don’t die of thirst.

I know I rap poetic about Harvest Moon a little too much on this site (less than the average super fans of the series, but more than the average sane person), but no Harvest Moon game ties game progression as heavily to how big your farm house is as much as Harvest Moon: Back to Nature on the Play Station.

Ah the life of a bachelor. A time where you don't care about the random liquor bottles by the entrance or if you have enough shelves for your miscellaneous boxes.

Ah the life of a bachelor. A time where you don’t care about the random liquor bottles by the entrance or if you have enough shelves for your miscellaneous boxes.

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